January 2010 - Recaps

So if you saw my last post, you may have noticed that I watched several titles at the end of last year, but didn't bother to review them. I may never get around to long reviews, so I thought I'd do some short blurbs about them.

We'll start with Berserk. I loved this show until the final episode, where the series just...stops. Right in the middle of a storyline, and in fact, right in the middle of a huge battle. It just ends, and there's no resolution. You can read the manga to continue the event, and I certainly recommend reading the manga anyway, but I wonder if they had thought they would get another season, and then didn't. Because it really ends unreasonably. Otherwise, the show is fantastic. Perfect for fantasy fans (if you like shows like Record of Lodoss War, specifically the first series, you should enjoy Berserk). It is a mature title as well; lots of blood, gore, sex, dismemberment, demons, pedophilia...adult visuals and adult themes. Don't watch it with your kids, basically.

Romeo x Juliet...it was probably my favorite title the season it aired (spring/summer 2007). I really adored it. It's Romeo and Juliet without being Romeo and Juliet. All the characters are there (at least in name), the very basic theme of family rivalry is there (so you can have your star-crossed lovers)...but the similarities end there. There's a boy named Romeo, and he's in love with a girl named Juliet. After that it's a whole new ball game. It does get a bit weird near the end, where the story ventures off into some bizarre, mystical, apocalyptic fantasy mess.... But it holds together with gorgeous animation, a superb score, strong characters, and a tender love story.

Nodame Cantabile Paris Chapter (S2). It's almost over, and while I can't wait for the story to wrap up, I'm also saddened that it's going to end because it's one of the best shows out there.

The Daughter of Twenty Faces was another favorite of mine in the season it aired (spring/summer 2008). This smart, well animated, intriguing story gets rather loss in a mass of moe titles, but it's worth searching out. It's a little Lupin III, and little Detective Conan; toss in some steam punk, old fashioned character designs with modern animation, a strong female lead, and a suspenseful story. It goes from warm and fuzzy to totally brutal in a finger snap, then back again.

Hayate no Gotoku S2 veers a bit from it's focus on Nagi and Hayate, and focuses more on Hayate and Hinagiku. Nagi practically becomes a background character. As such, the show switched focus from a heavy gag comedy, to having more serious character and relationship development. It's still good, but I miss the feel of the first season.

Gakuen Heaven. All-boys school, all pretty boys, all gay boys. Whoopee. Implausible, absurd, and with a totally uninteresting lead character. Story wasn't much either.

Piano. Slow and dull. Should have been warm and cute. Watch Nodame instead, or even La Corda d'Oro.

Zettai Kareshi live action special. Unnecessary and a little annoying, but it's hard to say "no" to more Hiro Mizushima.

Think that covers everything that I lumped on there. Oh, and PS - Sayonara Zetsubou Sensei is awesome.

Anime of 2009

'Tis the season for lists! And I've got a couple. If you'd like a hastily compiled look at some of my favorite comic titles for the year, you can go to Comic Attack for some staff picks. I'm at the bottom.

Today I'm just gonna lay out the 40+ anime and anime/manga related titles I watched this year. In a little while, I'm going to do a compiled, quickie review of the recent titles I've watched but haven't gotten around to reviewing. So be sure to check back for that. Anyway, here's what I watched in 2009, with links to any reviews that I did for the titles.
If you see something that wasn't reviewed, but you'd like a review, or at least some notes on the title, let me know!

Kuroshitsuji

School Rumble S1

Mushi-Shi

Solty Rei

Moon Phase

Sasami Magical Girls Club

xxxHolic S1

Suzuka

Yu Yu Hakusho S1

Full Metal Alchemist S1

Ouran High School Host Club

Kannagi: Crazy Shrine Maidens

Galaxy Railways

Le Chevalier D’Eon

Afro Samurai

Kino’s Journey

The Twelve Kingdoms

Legend of Crystania: the Motion Picture

Legend of Crystania: The Chaos Ring

Elfen Lied

Tales of the Abyss (Jay's Toybox review)

Chaos Head

Midori Days

Paradise Kiss

Gankutsuou: The Count of Monte Cristo

Skip Beat!

xxxHolic: A Midsummer Night’s Dream

Ghost in the Shell S.A.C.: Solid State Society

Gun Buster (1)

Diebuster (Gunbuster 2)

Texhnolyze

K-On

Black Lagoon

Gokusen

Yu Yu Hakusho season 2

Ah! My Goddess the Movie

Gokusen LA seasons 1-3

Mushi-Shi LA

Kamikaze Girls LA

Antique Bakery LA

Goong LA

Scrapped Princess

Sayonara Zetsubou Sensei (S1)

Noir

AIR the movie

Last Quarter LA

Berserk

Romeo x Juliet

Nodame Cantabile S2 Paris Chapter

The Daughter of Twenty Faces

Hayate no Gotoku S2

Gakuen Heaven

Piano

Zettai Kareshi LA special

And that's that! I've got plenty of titles backed up to take me into the new year, and I'm watching NeiA7 through Netflix right now. I got the Evangelion 1.0 movie for Christmas, along with the first 13 episodes of Moribito (I have the rest on DVR, so I can watch it all if I want). Plus I've been sitting on Gunslinger Girl Il Teatrino and Xenosaga the Animation for a while, and I've never watched either. I keep starting AIR up (which I have seen already), but get distracted by other things. I don't know much about the anime coming out this year, but I do know the final season of the Nodame Cantabile anime should air this spring, and there should be at least one live action film for it as well. A Gokusen LA film that came out last year should be hitting DVD soon, too.

Hope everyone enjoyed their Christmas and good luck in 2010!

Goong Live Action

What if Korea still had a royal family, a ruling monarchy, in this modern time? Now that we've created the setting.... What if you saw your fiancee proposing to another woman? This is the situation Shin Chae-kyung finds herself in - Chae-kyung overhears Crown Prince Shin proposing to classmate and ballet dancer Min Hyo-rin, and then just days later finds herself in an arranged marriage with him!

Before he died, the king of the previous generation, Prince Shin's grandfather, made a promise with his only true friend. This promise engaged the current Crown Prince to his friend's granddaughter (Chae-kyung). At the time however, the Crown Prince was not Shin, but the current heir's son, Yul. When Yul's father died in an accident, Shin's father became the heir and Shin became the Crown Prince. So you can see how some problems would arise. A love quadrangle forms before you can even spit out the word "quadrangle."

Shin is the heir to the throne, but Yul isn't about to let him take that position without fighting back to reclaim what should have been his - and that includes Chae-kyung as well as the throne. Problems arise when Yul's vengeful, ambitious mother pulls out all the stops to bring herself and her son back into the palace. Yul plays along for a while, dutiful to his mother, until his love for Chae-kyung overwhelms all his other feelings. Meanwhile, Shin struggles to deal with his feelings for Hyo-Rin, which he is forced to put aside, and strange, emerging feelings for the unlikely Chae-kyung. Chae-kyung struggles endlessly with palace life, her upbeat and outgoing personality constantly at odds with palace rules and regulations. It's hard to decide which boy to root for. They're both good guys, in their way. Shin is just more awkward and less honest with his feelings, and Yul is more forward. But they both care for her - Shin does lots of little things to make her happy or take care of her, though she doesn't always notice; and Yul's stance of not letting his mother screw around with her is admirable.

There's political intrigue, plenty of drama, lots of humor, gorgeous sets and costumes, sweet romance, hot guys, beautiful girls.... What else do you need?
It's a really beautifully shot show, in terms of the environments and the costumes. They went all out. The set designs are incredibly detailed, and the use of updated traditional clothing for the royal family is superb. And apparently very expensive, though I'm sure the level of detail and realism was very helpful to actors, and it certainly gives everything a believable look.

The older actress (Kim Hye Ja) playing the Queen mother has a beautiful, melodious voice, and it sounds like she's singing a song every time she speaks. Yoon Eun Hye is amazing as lead character Chae-kyung, and she's a newcomer! In fact, (most of) the younger actors were fairly new, while the adult characters were veterans; a dynamic that transfers into the story. Shin was played by handsome Joo Ji Hoon, who later appeared in the Korean Antique Bakery film. The main gang is rounded out by talented Kim Jeong Hoon as Yul, and Song Ji Hyo as Hyo-rin.

Unfortunately, I am unable to compare this to the manhwa, because I have not read it. I've skimmed a tiny bit of it, and it looks entertaining. I did notice that the characters in the comic seem a little more animated than their live action counterparts (specifically Shin). But, you know, internal thoughts are a little hard to convey on a screen.

The story does move a little slow, I will admit. I think it could do to have a couple of episodes knocked off, and a few things consolidated. Shin and Chae-kyung bounce back and forth in their relationship an excessive amount, and often you just wish they would TALK to each other, because it would solve things really quick. But Shin is incredibly private and emotionally awkward, and he's constantly put off by how outgoing and honest Chae-kyung is, so it's understandable.

You can purchase Goong, known as Palace or Princess Hours in America (the DVDs are sold as Palace), from the American licensor YA Entertainment. (I got mine from Rightstuf.com.) The box set of the series comes with a bonus disc that has interviews, bloopers, and behind the scenes footage (most of which is really funny).

Head over to Comic Attack for Ludwig II, The Art of Angel Sanctuary: Angel Cage, and December 2009's Previews highlights.

Last Quarter

Oh dear! It's been almost a month since my last post. Sorry about that! ComicAttack is keeping me busy (and so is Dragon Age). But I did want to talk about a lovely film I watched recently, while waiting for Berserk DVDs to come in. This live action film is based on the manga of the same name (in Japanese, Kagen no Tsuki) by Ai Yazawa (Paradise Kiss, Nana). It is called Last Quarter, which is a reference to the last quarter phase of the moon.

When Mizuki was a child, her mother committed suicide, and her father married his mistress, with whom he had a child. Unhappy with her home life, her 19th birthday is further marred by the discovery that her boyfriend (Tomoki) cheated on her with her best friend. Depressed, she walks home alone late in the evening. As she passes by a mansion, she hears a haunting and familiar tune coming from inside. Inside, a young man is playing the tune on his guitar. Mizuki confesses that she learned piano to play the same tune, though she doesn't know the ending, and that she had never heard anyone else play the song before. The young man, who calls himself Adam, claims he wrote the song for her. Confused, but somehow drawn to him, Mizuki returns to the house the next day and stays there with Adam through the week. On the last day, on the evening of a waning moon, a disappeared Adam calls her to tell her he must leave. She pleads with him to take her with him, and Adam tells her that if they see each other before the moon fades that night, they will go together. But what it means to go with Adam, is something that will have a profound effect not only on her own life, but on the lives of those around her. The mysterious Adam leaves everyone scrambling to discover his true identity, and his connection to Mizuki, in order to save Mizuki before the last quarter of the moon fades away for 19 years.

This beautiful story will have you feeling melancholy by the end. It might even elicit a few tears. Love, karma, reincarnation, trust, desperation. All the elements for a tragic love story. Dark and gothic, this is a beautifully filmed movie. The special effects are nice (though not perfect), and the music is fitting. Mizuki is heartbreaking; Adam has an ethereal beauty and a well of sadness that makes you want to wrap him in your arms and hold him tight; and the high school students that try to help Mizuki are endearing. Tomoki...you either love him or hate him, as a character. It's a little difficult to root for him, honestly, given what he's done to Mizuki, and you kind of want to punch him in the face sometimes. All the actors hold their own and capture their characters quite well.

The film stars Chiaki Kuriyama (Gogo in Kill Bill vol. 1) as Mizuki, Hyde (the vocalist from L'Arc-en-Ciel) as Adam, and Hiroki Narimiya (Gokusen, Nana) as Mizuki's boyfriend Tomoki.

For the interested: Last week's Bento Bako Weekly was a review of Natsuki Takaya's Tsubasa: Those With Wings (er, sorry, two weeks ago; last week I (re)posted my S1 Yu Yu Hakusho review). Monday's will be a review of the yaoi manga Ludwig II.

Mushi-Shi Live Action

Still having trouble with Scrapped Princess deliveries, I bumped up the Mushi-Shi live action DVD. FUNimation has also titled it as Bugmaster, which is a pretty literal translation, though not exactly accurate. As I (think I) mentioned before in my anime review, the mushi are not strictly insects even though they often take on an insect-like appearance; they are life spirits. The film is directed by Katsuhiro Otomo (Akira, Metropolis, Steamboy), which should say a lot about its quality.

The handsome Jo Odagiri (Shinobi: Heart Under Blade) stars are Ginko, a traveling Mushi Master. The basic plot does not differ from the anime (I can't speak for the manga, but I would assume the same, for the basics at least), and indeed a few instances are woven into the film, including the sound eating mushi, the man trying to capture a rainbow, and the young girl who seals an ancient mushi by writing down the stories told to her by traveling Mushi Masters. The film also explores Ginko's past, so keep that in mind before you decide to watch it. His past, and the circumstances surrounding it, make up a good portion of the film; but Ginko's origin isn't explored in the anime until episode 12, and the girl who writes about mushi appears in episode 20. The film goes beyond what is in the anime however, and Ginko's past comes full circle. It's a fairly complete story from beginning to end (as opposed to just being a random chunk of the story as a whole).

The movie is very well made. There's almost an old fashioned look to it, like a thin film laid across the screen. The costumes and scenery are lovely. Everything fits, and the special effects are well done. The Ginko in the film is a bit different from anime Ginko. Anime Ginko is pretty laid back; live action Ginko is more quiet and very traditional and respectful in his mannerisms. Not to say it's a totally different character, or that anime Ginko is loud and rude; I just think anime Ginko is a little bit more lively. Regardless, Odagiri does an excellent job. Though I do miss the constant cigarette hanging from his lips. Live action Ginko smokes a pipe every now and then, though it's never explained what it is that he's smoking (if you remember from my previous review, it's a special herb that helps keep mushi away).

The film is good about explaining what the mushi are, what they're doing, and how Ginko is handling them. At least until the end when he starts dealing with things that aren't really explained, and some questionable character motivations (from other characters). Overall it's a fantastic transfer into a live action medium.

Now, I can't make a lot of comments on FUNimation's English voice over for the film, because I never watch live action movies in anything other than their original language. It just feels ridiculous and unnatural. I did listen to enough of it (meaning I skipped to a scene where he talked a lot and listened for a couple minutes) to notice that they brought in Travis Willingham to voice Ginko again, which is helpful. In the little bit of the English voice over that I listened to, I got the distinct impression that they were doing animation voice over, not live action voice over. Maybe to some people there isn't a difference, but when I'm watching real people and hearing anime styled voices...that just doesn't work for me, and frankly it was a little silly.

Anyway, watch it, it's a lovely movie.

Gokusen Live Action

Time for some J-Drama! My previous J-drama watching experiences have been few (alright, only two others - Nodame Cantabile and Zettai Kareshi), but they're well worth looking into. This time it's the Gokusen live action series. Given the nature of these things, there's really only a couple of ways to view them. You can import the DVDs, torrent the episodes from fansubbers, or (if you're, or rather, I suppose, the show, very lucky) watch them on a streaming site like Crunchyroll.com (where they are not hosted), or here, where I did find them.

I was able to watch all three seasons and the season 3 special via torrent, though they did not have the season 1 graduation special (the linked streaming site does, and I'll watch it later). Nor have I seen the new movie that came out this summer (it's not out on DVD just yet). As I reviewed the anime version of this just last week, please refer to that review for a basic summary. The live action has the same basic story. The only major difference is that while the anime (and manga) follow a single class, the live action show follows a different class at a different school each season.

The adorable and talented Yukie Nakama is spot on as Kumiko "Yankumi" in each season. A young veteran actress who also stared in the Basilisk live action film (called Shinobi: Heart Under Blade...it seems I didn't review it when I saw it, but Jay-san talked about it in one of his posts). The hilarious Namase Katsuhisa plays the head teacher/vice principal in all three seasons as well, and he and Yukie-san play great off each other. It's easy to tell he's a natural comedic actor. Several of the actors in the series have been together before in other shows, including Zettai Kareshi, Trick, Kamen Rider, and Boys Over Flowers. Several of the lead male students are also members of music groups.

The only recurring characters are Kumiko (obviously), the yakuza gang members (her grandfather and the four live-in members, like Tetsu and Minoru), the head teacher/VP, the coach from the second season (he also teaches in season 3), and Kuma from the season 1 class (who makes a surprisingly large number of appearances in seasons 2 and 3). She goes to a new school each season (about 7-8 years of time within the story pass within the three of them), with a whole new class, new teachers, and a new love interest (it's Shinohara as a detective in S1, a neighboring teacher in S2, and a doctor in S3).

It's very well done, and the comedy is excellent. One of my favorite bits is how Yankumi just sort of appears randomly in the middle of her students, while they're having a discussion. They hear her voice out of nowhere, and she's just THERE all of a sudden, and it's hilarious. Yankumi's total disregard for any male other than the one she's in love with is highly amusing as well, especially when she ignores the coach's obvious advances in seasons 2 and 3.

I only had one real issue with the first season. They're always zooming in on Shin's face for reactions, but he's always got the same damn look on his face, so I'm not sure why they bother. He's only got 3 real expressions - bored, amused but still bored, and angry in a bored sort of way. It's hard to know what he's supposed to be thinking, though I guess if you want to explain it away technically, part of his character is that people never know what's he's thinking.

I didn't like the third season as much as the others. The characters were not as interesting (or as cute!), and the formula was starting to get a little dull. What I mean by that is, basically the same thing happens in every single episode (in all 3 seasons). They just change some characters around. Yankumi goes to school, one or more students is having some kind of personal problem, Yankumi tries to figure it out, the student or students in question get into some form of trouble, Yankumi has to go to the school or police station to straighten it out, student(s) mouths off, Yankumi talks with her grandfather for advice, the shit hits the fan, the boys get into a fight and get their asses kicked, Yankumi shows up to rescue them, everyone learns a lesson. That's the basic plot of every single episode. As amusing as some of the situations can be, I just don't think it holds for 3 seasons. If you don't mind formulaic stuff like that, or if you're a Bernard Cornwell fan, then this should be fine for you. But I'm not much of a fan of sitting through the same story over and over again. Fortunately the comedy remains consistent and funny.

I was also a little bothered in the third season by how no one really bothered to find out why Yankumi was the way she is. In the first two seasons the kids find out pretty early on that she's yakuza; either by complete accident, or because they're actively trying to find out. And eventually EVERYONE finds out and Yankumi has to resign (again, same basic story element in seasons 1 and 2). But in season 3, they don't really seem to care. They make one early comment about her strength, then they let it drop for most of the season, but attempt to find out about it near the end (kind of randomly). The main boys find out, and then it's never mentioned again. I know I was just complaining about how formulaic everything is, but if you're going to do it, then do it all the way. Deal with her identity completely, or just don't bother.

The show is great fun, Yukie-san is fantastic, and most of the time the students are great as well. Finding a large group of talented young men who have such great chemistry together can't be easy. There is one final thing I was curious about; in each season the classroom and the desks have different designs (like graffiti, etc). I wondered if a production crew did this, or if the actors got to customize their own desks and room, to give it their own personality (or what they felt was the personality of their character). I'm not sure how one would go about finding that out, but if anyone knows, that would be some interesting trivia.

Members of the season 1 cast above.

Bikes, Cakes and Promises

A live action trio of films is what we'll be looking at this week. First is Kamikaze Girls, a live action film based on the light novel of the same name by Novala Takemoto. Then we'll go to Korea to look at the Korean film version of the manga Antique Bakery (by Fumi Yoshinaga). And lastly, a Chinese Chen Kaige film called The Promise (Wu ji).


Kamikaze Girls:

We'll start with this absolutely delightful story of the friendship between two unlikely teenage girls. The film reminded me a lot of Amelie in terms of style, and if you've seen this amazing French film, you'll understand what I mean. Momoko is an anti-social young girl obsessed with 18th century France, wishing she had been born in the Rococo-era instead of modern day Japan. Her love for the period has resulted in a deep love for Lolita fashion, and actress Kyoko Fukada is adorable in the doll-like outfits that she wears throughout the film. Ichigo, played by the excellent Anna Tsuchiya, is the complete opposite of her frilly dressed counter-part - a bōsōzoku, a yanki in a female motorcycle gang (although Ichigo herself rides a customized Honda Lead scooter). The two meet when Momoko attempts to sell her father's left over knock off clothing (from his time as a low-class gangster) to help support her Lolita clothing purchases, and Ichigo shows up to buy a jacket. Both girls are taken by each others eccentricities, and loner Momoko is dragged into a friendship by Ichigo's incessant appearances and outlandish attitude. The movie is great fun, and is a wonderful example of the deep friendship that can be formed between girls, even girls as inherently different as Momoko and Ichigo. It's hilarious, charming, and has just the right mix of bright cheer and morbidity. The film is available with sub titles from Viz Media in America.

Antique Bakery:

I talked about the anime version of this manga last year, and this Korean version keeps the main story points, but changes the location (to Korea), and the names of the characters (to Korean names). As I only reviewed the first episode before, here's a bit more on what the story is about (with new character names). Kim Jin Hyeok (Tachibana) opens up a fancy cake shop for mysterious reasons of his own, considering he hates eating sweets. He hires Min Seon Woo (Ono), an excellent, and gay, pastry chef, who also happens to be an old classmate of Jin Hyeok's. Seon Woo, known as the gay of Demonic Charm, has been fired from all his previous jobs for causing romantic arguments with his fellow employees. Soon they hire a promising young man named Yang Ki Beom (Eiji), a former champion boxer who can no longer fight due to a serious injury. To complete the group, Jin Hyeok's klutzy childhood friend and bodyguard Nam Soo Yeong (Chikage) arrives to help watch over his master and work in the cafe. The film hits the major story points, though Ki Beom is often pushed aside as a minor character while the film focuses on Jin Hyeok and Seon Woo. It's well acted (with at least one completely gorgeous guy) and well made, with the exception of an early opening musical sequence that is bizarre and seems out of place. Also, near the end, the story becomes a little confusing regarding a character from Jin Hyeok's past; I wasn't sure if I was watching two different characters with similar looking actors, or the same character which would make things a bit off. The movie (for the sake of time) cuts out a chunk of the story where the characters attempt to garner publicity for their shop, and other than the aforementioned confusing character and cutting off some of Ki Beom's development, it's the same boy's love story that you'll get from the anime and manga.

The Promise:

I was less pleased with The Promise. The story had a lot of potential, but it fell a little flat for me. I do wonder though if this had to do with the fact that the American release of the film had 25 minutes edited out of it for some reason. In The Promise a little girl named Qingcheng survives by stealing off the bodies of corpses in a battle field. She is caught by a boy of about the same age who accuses her of stealing, and makes her promise to be his slave before releasing her. However after she is released, she hits him on the head and runs away. While crossing across some water, she meets the goddess Manshen, who offers her a deal - she will never again starve, she will wear the most beautiful clothing and eat the best food, and countless men will fall in love with her...but she will never experience true love herself, for if she finds it, she will lose it. Qingcheng agrees, and the goddess informs her that this agreement cannot be broken until snow falls in the summer and time flows backward. Many years later a battle rages between the armies led by General Guangming and Duke Wuhuan. Qingcheng, now grown, is swept up in a war between the Duke and her King's men (which the General leads), as is the mysterious servant of the General, Kunlun. The past comes back to haunt them, as the mysteries of the people from the Land of Snow are revealed, and the goddess Manshen's prophecies start coming true. This is a story of love, sacrifice, mistaken identity, loyalty and betrayal. It sounds like an excellent set up for an incredible film, but it just isn't as good as one would hope. For a film from 2005, the special effects are a bit substandard in quality. Something as simple as falling cherry blossoms look incredibly rendered, never mind the super fast running Kunlun. Fortunately the amazing costumes and combat that we've come to expect from these kinds of films are there and look great. In the end, I still think it was an interesting story that was underdeveloped (or edited out, possibly); but at least the acting (Dong-gun Jang, the beautiful Cecilia Cheung, and the very handsome and talented Nicholas Tse) is great.